Using the original 1964 mono master, new lacquers have been cut all-analogue by Kevin Reeves at Nashville’s East Iris Studios. By constantly referring to the original first pressing, the album is faithful to the original release while also enabling more musical information to be heard than was possible before. Featuring faithfully replicated artwork and a new four-panel insert with essay by American Beatles historian, Bruce Spizer. 180-gram audiophile pressing.